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1.
He was growing fast, training hard, but the opponents didn't gain any fun. He really heard his tasks into a glass bell, even though his team would have drag him to hell. The coach yelled, he wanted more from him: was it just a ring or some sort of ordeal? Now that he cries, he realizes that good feet don't imply a good life. And the truth spoke clearly by the evening: compromise was what he was searching for. Lost the spirit, he obtained some feeling as life fled away. The worst midfielder is the best goalkeeper when inside the field there's a door he can't see. Hatred in the crowd, and there is no hideout: He cannot perceive what he wants to achieve. The worst midfielder is the best goalkeeper as he finds himself with his head in the sand. Every now and then we reach a goal in which we no longer believe, and we fall. And he scrapes through by cleaning out his mind from the deep, tiny ocean of his lies. The closer they come, the more he learns to sense mistakes and your friends, they often kill yourself. The worst midfielder is the best goalkeeper when inside the field there's a door he can't see. Hatred in the crowd, and there is no hideout. He cannot perceive what he wants to achieve. The worst midfielder is the best goalkeeper as he finds himself with his head in the sand. Every now and then we reach a goal in which we no longer believe, and we fall, and we fall, and we fall, we have to fall.
2.
Boulangerie 04:22
I heard you do not love bread, but sometimes you should take a bite. Those pies are damaging you, and mental health goes in loop; So stay calm, eat your chips, don't sweat, you're just a sweet, fat, sweet fat man. No one looks at the rise and fall of your exit poll; And I know you're weak, I'd give an hand if you were not so ordinary I'm not the best you have met, that's a matter of fact; Floating with the certainty of having learned on our bugs doesn't make us more charmer than we've ever been before. Pickles, Pringles, Lindors, starving for another meal Bellyache won't fail, but you wait for the next plate; Are you serious? Are you reliable? I don't think so: and still the undersigned doesn't go away; I'm starting to get hungry, surely is a virus. I've been erased by the world our mind displays. Floating with the certainty of having learned on our bugs doesn't make us more charmer than we've ever been before. Boulangerie, boulangerie, where have you been? Was your taste always a reason to worship you? No doubt your lack made us love things we didn't feel the need. Yet the very first man was born with the force to not to be What he did supposed to be.
3.
“This shall not pass”: the promise you use to make. Scenes of my life I've seen so many times. After all, watching your lifestyle, peculiar and worthy of a lot of smiles, I have to say I'd like to see the way you should pass away. You fail and lie, you fail and lie, and do not dare to walk behind. And I admit I'm eager to look at your death, but then I'd cry. Should I forget your presence and the tears of your parents, I could be better, but life would get weaker. Consider my weakness, and value my hardness: why don't you talk? It's not the way to feel alive. Oh, people like you must be admired. You fail and lie, you fail and lie, and do not dare to walk behind. And I admit I'm eager to look at your death, but then I'd cry. Should I forget your presence and the tears of your parents, I could be better, but life would get weaker. The fail you carry will kill my heart The fail you carry will kill my heart The fail you carry will kill my heart The fail you carry will kill my heart
4.
“Your backache is not new, in this grave I've got it too. I died when I was young, yet I claimed what was mine. Sex has pleasured me with its sorrow, I was humiliated by my own flighty loves, so pretentious: but I always hoped for a change. Don't listen to what they say, you have to plug your ears. Your boots are immersed in the water and your feet pretend to walk. We are both fathers, our sons deserve to know what it means Humanity. It's a keyword always lost. I was shocked by my age.. The shock was my age.. The poorest man in the whole world, he won't listen to me.” The rice man makes a question mark.
5.
It's like when you play a game where tongues are better than names. The same when they raise a wall, cynic as the last of my songs. Then they would serve to me the same kiss on my lips. And nobody cares if I love to live or I'd like to revive. Politeness is a style most of us deny: Between the truths that we use to make shine a light of a false desire. So choose a saint to pray, and drop down your lies of clay: Brought us here the story we left behind. Internment is not a solution to celebrate this sad communion. But we play at the station, so we die by motion. Many years have passed but those fears come from the past. Somehow we survive, while other people lie. Maybe it's a state of affairs which I cannot bear. Neither in my room I'm safe, but I've got to prevail. Politeness is a style most of us deny: I could extinguish our fires, but I can't turn a candle into a flame. So choose a saint to pray, you've got to lose the nature of this embrace: Brought us here the story we left behind. Internment is not a solution, to celebrate this sad communion. But we play at the station, so we die by motion. Speaking, looking into our eyes is a choice we don't find inside Because outside we meet, eager to see each other so weak. I wanted to say we've got a demon inside, and sometimes our violent fragrance reminds us how mean we are. No need to be serious, just clean your eyes and try not to sigh: always our violent fragrance reminds us how mean we are.

about

"L'Amour Fou" è il nostro EP di debutto, completamente autoprodotto.

Prodotto e mixato a Pontinia (LT, Italia) da Natalino Restaini, aprile - ottobre 2012.

Foto di copertina: La morte di Sergej Esenin (1895 - 1925)

"L'Amour Fou" is our EP debut, which is completely self made.

Produced and mixed in Pontinia (LT, Italy) by Natalino Restaini, april - october 2012

Cover: The death of Sergej Esenin (1895 - 1925)

www.facebook.com/pages/Reuters-Hates-The-Stringers/239202399433229?fref=ts

credits

released January 15, 2013

Guglielmo Bin - Voce, Chitarre, Synth, Vocoder, Testi
Francesco Violi - Chitarre
Mattia Doghini - Basso
Tiziano Guadagnin - Batteria

Guglielmo Bin - Vocals, Guitars, Synth, Vocoder, Lyrics
Francesco Violi - Guitars
Mattia Doghini - Bass
Tiziano Guadagnin - Drums

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Reuters Hates The Stringers Latina, Italy

I Reuters Hates The Stringers si formano a Latina nel gennaio 2011.
Abbiamo pubblicato sinora un demo nel 2011 e il nostro EP di debutto, "L'Amour Fou", disponibile qui su Bandcamp.
Le nostre influenze sono diverse e beatamente caotiche, come le personalità musicali e non di ognuno di noi: The Smiths, Sonic Youth, Radiohead, Primus, Sufjan Stevens, Jimi Hendrix, Joy Division e molto cantautorato.
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